It’s not always easy to know where to go for feedback. Luckily in the age of the internet, you can barely move for places, groups and communities who would love to read your work.
The tricky part is figuring out what kind of feedback works best for you.
Over the years, I’ve heard a lot of writers talk about voice.
“Oh, I love this book, it’s so voice-y!”
“The agent rejected my manuscript because they couldn’t connect to the character’s voice”.
“Every character had the same voice. I couldn’t tell them apart.”
So how exactly do you define a story or character’s voice? What do people mean when they say a writer lacks voice or writes in a really voice-y way?
Winning used to mean everything to me.
I was brought up in a household where if I wasn’t the best in my class, I wasn’t anything. I went to school with kids who would literally tear one another’s faces off over a football score.
I live in a country that was so big on ‘winning’ that it enslaved half the world.
The creative industry I work in is reminiscent of Game of Thrones for all the backstabbing, politics, sycophants and uneasy alliances it’s filled with. From all of that I take this very important lesson:
Winning is overrated, and isn’t half as important or beneficial as you think.
It’s that time of week again, where I harangue an unsuspecting creative person into answering some gosh darn questions! This week’s
victim guest is Mike Kubat, a hilarious and talented screenwriter based in L.A. You may know Mike from ED EDD n EDDY, ATOMIC BETTY and a slew of other shows for younger audiences, including Disney’s MICKEY AND THE ROADSTER RACERS.
I’ve really been looking forward to this interview, as Mike’s not only my former colleagues, he’s also one of my best friends *cue mushy feels here* ^__^
Rachel: Ey up, Kubat! Thank you for stopping by the blog 🙂 Tell us a little about yourself and what you’re working on at the moment.
Mike: Hi Rachel! Very happy to be here. My name is Mike, but many call me Koobs. I’m a writer, creative developer, story editor, accountant, musician (questionable) and vinyl record addict.
Currently, I’m working at Disney Animation on MICKEY AND THE ROADSTER RACERS, along with a feature script, a comic book and my fabulous tan.
Every month I’ll write a quick roundup of my recent goings-on. This is mainly for my benefit, because I’m forgetful and often need evidence (tentative as that may be) that I’ve achieved something or done something worthwhile for my career/health/relationships etc.
It’s also a way to roundup the best bits featured on the blog this month. Your time is limited, so I wanna help you get to the good stuff and get on with your day 🙂
So, without further ado…
It’s time for a cuppa and catchup! I recently interviewed internationally-acclaimed author Tim Powers, author of The Anubis Gates (you can read my review here). Tim’s also responsible for the swashbuckling tale ‘On Stranger Tides’ which inspired the Monkey Island games and the fourth installment of the Pirates of the Caribbean franchise. He’s also credited as being one of the Fathers of Steampunk!
Rachel: Lovely to have you aboard, Tim! Tell us a bit about yourself and what creative stuff you’re working on at the moment.
Tim: Well, my first novel was published forty-one years ago, and I’ve had fourteen in all so far. That’s fairly slow work, but I use the excuse that they’re generally pretty long, and research and plotting eat up a lot of time.
I’m halfway through another novel now, and I hope to have it finished by summer, roughly. It’s contemporary, set in Los Angeles, and it involves freeways. And of course supernatural stuff.
I hate writing.
At least right now I do.
The problem is that I dwell too much on the end result. I want the end result – a finished, polished story – right now.
All that other gumpf in between – the typing, the self-doubt, the numerous, numerous revisions – makes my teeth itch. Sometimes when I’m in the thick of that stuff, I enjoy it. Right now, I loathe it, which means that I unfortunately loathe a rather sizable part of the writing process.
So many writers I speak to deal with the conundrum of loving writing and hating it at the same time. So what can we do about it?